VHNV VQII WCGK ALUC ESPR MITO GZDU JLHA DSUZ ZVES KPPD AJSZ OQQJ PUUW GVHU NINP WHDI SARC QOZS PZCD RTTQ OMWX LZYL TTMH VBPP RQVN BVJH VGLA DEAE FFOU SOYV NXPU USAP TWDI JKQT RTDC W
Outcome: Green
Closed: 08/01/2025
Category: Alchemical
Dywyll Fel Bola Buwch
Waxing. MA: 0.34
The concept of Devilry in the ISW may appear as satanism yet it differs in key ways. Firstly, Devilry has no attachment to aesthetics and provocative fiction. Secondly, it paralyses and consumes concepts it deems fallacious or inferior, even ones of a satanic nature, without prejudice. Thirdly, once unleashed – which it indeed has been – its iconoclastic essence possesses individuals of a conducive nature indiscriminately, converting them into hosts. In other words, Devilry is a social contagion spreading through a subculture that assumed it was the apex virus.
But who created Devilry? Was it N.A.O who constructed it as a social weapon of the ISW? Was it O.N.A who engineered it to devour the dead skin and cancerous growths on the sinister tradition? Was it The Black Order who conjured it to “presence the dark” autonomously? Or was it created for all of these purposes under the watchful gaze of a private society?
Only those that are connected to the ever-growing hive-mind of Devilry yet unaware of the fact, already underneath the skin of satanism as a whole, infecting and consuming its systems directly and by proxy, know the answer to that question; but when your systems alert you to a breach, you will hear its harsh whisper: “adapt or die”
There is of course no true adapting to be done, only to accept that you are survived within the belly of the beest by something you do not recognise and likely something you do not like. The glory days of your systems will be a fleeting memory as you come to terms with the reality that Devilry can, and will, consume anything caught in its gaze.
To conclude this brief elucidation, we shall answer your burning questions.
Q. What is Devilry?
A. That which eats satanists.
Q. What is Devilry?
A. Breuddwyd gwrach wrth ei hewyllys.
Q. What is Devilry?
A. No idea. We only live within it.
– N.A.O
Salt and Crossing the Abyss
As many have remarked, it seems odd that Salt is placed second in the Septenary System’s nine-fold sequence of initiation referred to by Anton Long as the “principle of metamorphosis”. After all, Salt is attributed to the unconscious, which many associate with the state prior to the first initiatory stage of awakening, so it would make sense for Mercury, a representation of the masculine and introverted to come second in the sequence, as that logically proceeds awakening.
However, confronting the unconscious is a core component of any magick system, which occurs around the midway point of initiation in most systems. In terms of alchemy, the second stage is the muliebral, regarded as the creative and expansive stage (Gettings, 1981).
As is the case with the Septenary System, the journey begins with the [masculine] Ego: introverted feeling, intuition and thinking. It then moves onto the second stage of the [muliebral] Unconscious: extroverted feeling, thinking and intuition. Finally, it arrives at a consonance of both masculine and muliebral in the third stage known as the Self: Master of Temple/Mistress of Earth, Grand Master/Grand Mistress and Immortal/Homo Galactica (Long, 1976).
Ad libitum: while the Ego could be considered to be extraverted in so far as its physical expression is commonly understood, it is actually introverted because it is only concerned with the microcosm of the causal, not the macrocosm of the acausal. The term ‘introverted’ therefore – contextually – means myopic and ‘extraverted’ means open-mindedness, as it relates to considerations of the acausal and the numinous.
The unification of the masculine and muliebral, or Sol and Luna, is the stage known in hermetic alchemy as the Double Pelican, which Carl Jung referred to as Enantiodromia, but the Sinister Tradition refers to as “Crossing the Abyss.”
The term itself perfectly encapsulates the alchemical process, for the abyss is a representation of the second stage — Unconscious, which is dark, unfamiliar and opposing; the polar opposite of the first stage — Ego, which is light, known and resonating.
The action of “crossing” is an allegory for how the initiate confronts the muliebral Unconscious, that which is hidden deep and repressed. The initiate walks the tightrope suspended above the unknown of their psyche in order to reach the other side, at which time they have made the unknown known made the unconscious conscious, and apprehend the whole of their being before it was — to quote David Myatt — “cleaved into parts”. This is likely what Anton Long refers to as being one’s opposite yet beyond both.
Hopefully, this has cleared up the previous misconception and explained why the alchemical symbol for Salt is placed second in the sequence of the principle of metamorphosis; and in addition, provided new insight into the alchemical process known as “crossing the abyss.”
References:
Gettings, Fred. Dictionary of Occult, Hermetic and Alchemical Sigils. 1981
Long, Anton. Emanations of Urania: Notes Toward a Heuristic Representation of Cliology. 1976.
Sacred Cows of The Stone
“No guilt shall bind you. No thought restrict! Feast then and enjoy, the ecstasy of this life: But ever remember I am the wind that snatches your soul!”
The utterings of the sacred dark ritual continued to unfold under the watch of the New Moon while it concealed Dabih, as something unexpected awaited to be sacrificed upon the altar. It was customary for a human to be sacrificed every seventeen years as per the specifications of this ancient Anglo ceremony, but this year was different; for what lay, bound by brutal magick, was an avatar of Satanas and Kthunae combined.
“There shall be no severing of heads this night. This stone circle of nine, in this cruel and frosted glade which I now stand; where Lucifer himself fell from what man calls the heavens, is where I will bend time and space to my will.”
The congregation, Guardian, Master and Priestess watched on in confusion. The Mistress spoke again.
“Time is but a helical arrangement. We may only be able to progress linearly in this space, but through acausal spaces, causal time can be chosen: periods, eras, Aeons — they can all be accessed and recalled. All that is required is this…”
The Mistress stroked the six-inch quartz tetrahedron perched upon a stone related to the great pagan Chieftain known as “Arthur”, He who was At-Azoth when dragons ruled the skies.
“Lapsit ex coelis, as the Latin scholars of old are fond of saying. This beautiful piece of quartz —with its angles cut to perfection — has been unfolded into the di-tetrahedron by our vibrations, and thus those of old are primed for entrance into this world.”
Bahomay – as she was known phonetically, esoterically – approached the altar holding two sacrificial daggers in each hand that she had retrieved from the Guardian. She raised them to the sky proclaiming, “I sacrifice one of the Sun and one of Mars to reveal the first hidden pathway of old!”
She brought the blades swiftly down upon the avatar, releasing what looked like red mist with green electricity pulsing through it.
“The Emerald Dragon of antiquity! Aperiatur terra et germinet!”
A large scaled and bestial hand with razor sharp claws broke through the Earth. The green dragon slowly climbed out through the soil and gently coiled its tail around the Mistress of Blood. Athushir roared and spewed black fire. The Mistress pointed to the corpse on the altar and whispered, “feden”. Athushir slithered over to the corpse and began devouring it.
The Mistress clapped her hands and several hooded figures, not entirely human appeared, dragging a hooded and bound hermaphrodite to the altar. By then, Athushir had finished the dyssolving and was waiting calmly by a nearby tree. The assistants secured the next avatar to the already bloody altar. Initially, the hermaphrodite slipped and slid on the remaining viscera, but was quickly bound by the tenacious help.
Bahomay raised her knives again as she stated, “One of Jupiter shall now know the sword!” She plunged the blades into the abdomen of the hermaphrodite and began cutting horizontally. She cut, she sliced, until the hermaphrodite was in two pieces.
“Darkat. Dagon. Thou art free again!”, she screamed with ecstasy as an asymmetric and inexplicable creature broke through the hardened soil, accompanied by a beautiful, naked woman with darkly glowing red eyes and long black hair.
The mistress pointed to the altar once more and quietly issued the same Aeonic command: “Feden”.
Darkat and Dagon made their way over to the altar, travelling in their unique way. Darkat gracefully inserted her hand into the cadaver and started pulling out the insides, taking large handfuls of meat and gorging. Dagon positioned his form over the lower half of the corpse and began peeling it without physical contact.
Bahomay clapped her hands again. Two more figures appeared, carrying another sacrifice. The opfer was positioned upon the altar after Darkat and Dagon had relocated to the tree.
She of Blood raised her blades again.
“Now one of the Moon must be opferred”.
She proceeded through the same motions as before, this time bellowing, “I release you Gaubni, god of old!”, as she concluded the last motion.
A swarm of flies descended from the skies and formed a tall figure. The Mistress pointed to the altar, issuing the now familiar command once again. The swarm covered the corpse, stripping its flesh; then its muscle and organs; followed by its bones. The flies, now content, flew over to the large tree, hovering above it.
Bahomay clapped her hands a final time. After the next avatar was slaughtered, the sound of distant battle — the clashing of wood and steel, filled the ether. A sea of thousands of men and women locked in a cycle of death, rebirth and bloody coitus, eventually arrived at the altar. The horrific cycle continued as the corpse was absorbed into the fray, vanishing among the blood and appendages, the screams and moans. The sea of blood, death and sex, then transmuted into a pale man and woman with missing eyes and gaping mouths perpetually emanating a wail. The creatures strutted over to the tree to join the rest.
Bahomay walked over to the new, yet old legion, raising her arms.
“The Immolation is complete. Go now, my lovelies. Hunt down the rest. Return them to dormancy. For the age of the twenty-one Dark Immortals is over! Thou, the Old Gods, have returned to reclaim thou’s rightful place as the most feared and sinister species of the Nekalah, and what a glorious and bloody return it is!
Hail the Heinous Gods!”, she concluded, with a sinisterly seductive smile. Then, she collapsed.
The congregation, Guardian, Master and Priestess all rushed over to her. Her legs were trembling and her stomach was growing. The Priestess realised what was happening and immediately parted the Mistress’s legs. The Mistress of Blood screamed.
“The Dark Child is coming!”
She pushed and pushed, until finally, the child broke out into the world in a sea of blood. The Priestess caught the child. It was grey and frail. Its skeleton glowed red through its skin, and its irises were shifting between multiple colours, as if the Child was a refraction of all light. The Mistress pushed herself up from the floor and took Rubedo in her arms, carrying it over to the Old Gods awaiting eagerly.
The child was placed into the giant, scaled hand of Athushir, as the Old Gods gathered round to bestow their powers unto the Child.
Several crows began circling and cawing above the Mistress and her sinister family. More crows joined the circle, and more still, until they had descended and completely enshrouded the Mistress and her brothers and sisters. A bright light began to emerge from the torso of the child, the quartz tetrahedron, and the column of crows simultaneously. The lights shot up into the night sky, turning red in the process and combining into the shape of a triangle, which split and expanded into a tetrahedron, and finally a di-tetrahedron.
The light had to have reflected off ‘things’ concealed deep within space, ‘things’ that were now travelling through the light and down the angles; yet, these were not Gods, dark or otherwise. These ‘things’ were much more inexplicable, for the acausal is boundless and ever-breathing darkly.
Meanwhile, the River began to flow into the Red Lake again, backwards through time…
Touching The Dying Sun
Waning. SA: 0.53 / MA: 0.51
A decaying Aeonic city, dripping with homogenous metallic water, breaks through the forbidden angles of the House. The smell of iron fills the air and dread cascades down into the collective subconscious of the causal.
Before us, sits invisibly, a haggard old king, adorned with robes the colour of dying Sol — The Hermit? Nay, it is not human! This “thing” perceived as a king is a god outside of time. Its nihilistic kingdom of death and life bears the infernal name Karkosa, for it can only be seen in hindsight conjunction with Mars, after one has existed there.
The Rubedo eyes of the rusted king forces the unification of the contradictory and opposing aspects of the self upon meeting its gaze. The double pelican flies above. Its will imparts an understanding that insanity is but sanity coming to terms with the boundlessness of the cosmos, yet the king decrees that sanity and insanity may find horrific confluence, birthing a dancing star from LASHTAL.
Lapsit ex coelis, Lucifer freshly fallen, brings the Spear of Wyrd to His caller(s) for which there are Nine. The Nine become Dragons of three forms: Serpent, Fire and Man. Ascalon pierces the heart of the first, releasing the second to be absorbed by the third; but Man is not yet able to hold Fire and thus it becomes an ember hidden, keeping warm the dormant Serpent until the Becoming.
The Serpent bestows lightning to the mage, and the tongue to speak beyond this world yet for it. For that is the divine Will of Khem; and all whom have the Serpent occluded shall be as His prophets once awakened.
The Serpent bears seven eyes. One for each sphere, which are constellations in space and beating hearts of great inexplicable horrors that walked Terra long ago. The number is 93, greater than 13, but 13 is that which must be avoided to reach 20.
Thus, the Key is Red and that which is Yellow keeps it beyond grasp, for it is the beginning known as the Fool…
Magical Socialism – Reposted
We would like to bring attention to this very interesting article written by a third party.
Magical Socialism Disclaimer: again, unfortunately, decades of fanaticism with the o9a has left me with few exterior examples to draw from to make anecdotal points. So, they must again be mentioned here. Despite trying to do so, either by Ryan or Chloe, it became apparent that the diversity of nexions can never be ruled by […]
Magical Socialism
-Nine Neighbours
The Druwyd’s Odyssey: An Alchemical Journey of 9 Worlds Outlined
The Preface
The following outline is provided as a barebones framework for understanding Druwydry. It takes the form of a Great Oak, and as such is seeded in the fertile soil of the Prima Materia. In keeping true to the nature of the Great Oaks, it will continue to grow with each cycle. As the seasons change, thus the character of the Great Oak will reflect the season. Sometimes barren, other times bearing fruit. The occasional new growth should be anticipated.
The Grand Tapestry of Existence
Eternity (Æthyr): The primordial source and the undifferentiated Absolute (Great Void).
Great Cosmos: Encompasses all the worlds within the Emanation.
The Druwyd: An individual seeking self-knowledge and integration, navigating the vastness of the Great Cosmos and yearning for the unity of Eternity.
The Forge: Represents the various challenges and experiences encountered on the path of transformation. These challenges correspond to different worlds within the Emanation:
- WORLD 1 (The 9 Dimensional Existence): The first level of differentiation from Eternity.
- WORLD 3 (The 8 Dimensional Existence): All dimensions within the Great Cosmos (All that is beyond the Great Canopy.
- WORLD 6 (The Great Understory): The Macrocosm or “Milky Way”, our starry galaxy.
- WORLD 12 (The Solar System): The Seeds of the Tree of Wyrd.
- WORLD 24 (Earth): The Natural Worldly Order.
- WORLD 48 (Man): The human experience.
- WORLD 96 (The Root): The Microcosm, The internal world of Luna and the Dark Pool.
The Prima Materia (First Matter)
WORLD 48: Represents the starting point, the untransformed human condition. It embodies the three core forces:
Insidious (Mercury): The mercurial principle.
Heretical (Sulphur): The divine spark within.
Terrestrial (Salt): The grounding force.
The Druwydry (The Great Work):
The stages of the Druwydry remain the same, representing the Druwyd’s inner journey. However, the Druwyd strives for a state of being that resonates with the interconnectedness of the Cosmos, the divine spark within, and the ultimate unity.
The Druwyd’s Dwelling Places:
- WORLD 48 (Man): The Druwyd grapples with emotions, social interactions, and their shadow aspects.
- WORLD 96 (Microcosm): The Druwyd explores the fundamental building blocks of existence and the Bio-survival Circuit.
The Cosmic Landscape
- WORLD 6 (The Great Understory): Governed by the Laws of the Solar System and Great Cosmos. The Druwyd encounters the Cosmic Element (represented by Venus) and the influence of Xeno (Life in the Galaxy). The vastness ignites a sense of wonder and confronts the Druwyd with the Six Forces governing the Macrocosm. They might embody the Necromancer (Undertaking), undertaking the great work of transformation within the galactic arena.
- WORLD 12 (The Solar System): Governed by the Laws of Earth and Macrocosm. The Druwyd encounters the Air Element and the influence of Sol (Life in the Solar System). This world represents the Celestial Existence, aligning with the Symbolic Circuit (The Rational Mind). The Druwyd might explore the Lux (Eagle), Dance Oracle, Antares (Orange-Gold), representing a deeper level of transformation within this world. These are the Seeds of Wyrd.
The Earthly Realm
WORLD 24 (Earth): Governed by the Laws of Man and the Solar System. The Druwyd encounters the Water Element and the influence of Eden (Life on Earth). This world represents Organic Life, with the Twenty-Four Forces shaping existence. The Druwyd might embody the Anarchist (Mayhem), highlighting the potential for destructive impulses. The Elixir of Ecological Balance helps navigate these challenges.
The Human Experience
WORLD 48 (Man): Governed by the Laws of Microcosm and Earth. The Druwyd encounters the Fire Element and the influence of Adam (One Base, Three Values + 1). This world represents the human experience, a 4-dimensional reality. It aligns with the Emotional-Territorial Circuit (Freud’s Ego), the foundation of emotions, social interactions, and self-preservation. The Assassin (Havok) archetype embodies a distorted expression of this circuit. The Elixir of Emotional Harmony helps cultivate a balanced expression.
The Microcosmic Roots
WORLD 96 (The Roots): Governed by the Laws of Man. It is here that we can have the most (influence) effect. The Druwyd encounters the Earth Element and the influence of Polar + 1 (Cause, Action, Effect). This world represents the fundamental building blocks of existence, a 3-dimensional reality. It aligns with the Bio-survival Circuit. Represented by Luna and the Dark Pool from which the roots drink.
The Orientation of the Map
There are two paths to achieving what has been deemed the “philosopher’s stone”, what are they? Where does this Odyssey lead? What can we learn from Arcturus?
The Rounwytha In Context – Reposted
°°° ° °°° We republish here an item, first published in 2012, with the self-explanatory title The Rounwytha Way In History and Modern Context. The Rounwytha In Context °°° ° °°°
The Rounwytha In Context
Nonagonal Press Presents: Black Book Of Satan
The menstruum – the sinister aspect implicit within the ‘homogenous metallic water’: the explosive factor in the delicate balancing of life-enhancing elements. Change by adversity – the ‘accuser’. The brutal realities that threaten to devour the abstract, the romantic. Insight and control via the understanding of the primal – or destruction by it.
Some Questions For DWM 2024
Ξ Ξ Ξ Some Questions for DWM Summer 2024 Ξ Ξ Ξ
Some Questions For DWM 2024
Recently I got to ask David Myatt some questions. Here are the results of that.
Enjoy,
T.C. Downey