Death Comes to All Forms

The occult quest is ultimately to discover that all forms are temporal and that one should never become attached to them if higher levels of initiation are sought. “Never love anything so much you cannot see it die” is the sixth point of the 21 Satanic Points written in the Black Book of Satan and adequately expresses the mindset required to break through the mirror of forms which hides the essence of each form and its facsimiles. 

This is not to say that forms are unimportant; indeed they are cardinal, as they provide a visible gate to the form’s essence, one that can be opened while navigating the occult secrets of that form. Opening the gate is easier than one might think; the hard part is realising it has opened and entering it, because the gate will always appear as locked while we cannot bear to see the form die. 

Theistic occultists understand that death is a natural changing of energies. These energies do not perish, they simply fade out of existence and hide in nothingness until it is time for them to return, just like Nature’s seasons. The same goes for forms. Forms fade in and out, disappearing and returning as part of an intrinsic process shared between nature and consciousness; consciousness of man and woman, of things which possess the ability to become. 

Due to this process being an event which can occur independently of human proximity, the error we make is trying to change or subject to death a form in the wrong season. This translates to trying to force open the gate within the form before it has been unlocked by the natural changing of energies and opened by our apprehension of the sixth Satanic Point. 

This is why the Authority of Individual Judgement allegedly pioneered by O9A (which permits anyone to change, alter or reform O9A gnosis and practice provided they abide by the Code of Kindred Honor) cannot, and never could, help one find a path to Lapis Philosophicus. If we imagine the essence of a form as a strand of silk that is weaved through several doors (foundations of a form): when someone changes the form as and when they desire they close one of the doors, thereby severing the strand of silk and thus the connection to the essence of that form. This prevents the gate from ever being opened to the essence behind the form, and so one has to move to a different form that has stronger foundations and an ethos that does not permit the altering of its magick system without considerable thought given to the natural changing of energies and such a change in the form coinciding with them.  

A retort to this postulate could come in the form of the Gods/Goddesses of whichever pantheon being intimately tied to the essence and therefore requiring only their presencing, but the system through which an acaual being is presenced — and how the practitioner uncovers gnosis and builds empathy with it — changes the intensity of that being’s energy once presenced. Since the magick system is considered a foundation of the form, this means that a door cannot be closed on the strand without the natural changing of energies weaving it through another door, lest the gate never open. 

Conversely, never truly committing to a form places us in a limbo of abstraction where we pretentiously debate the intangible and never achieve any REAL progress, moving from form to form, never satisfied or feeling like we belong; never willing to learn the design of a form so that we may be able to locate the key and unlock the gate. This act is not loving something so much you cannot see it die, it is never loving something at all, which is why the gate will never open so long as this is one’s method of navigating the hidden. 

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CRYSTALS & SINISTER EGREGORE
by Fraternitas Loki (circa 1997)

Artifacts of ‘magickal’ significance in the occult are practical tools – or at least they can be. They are not practical in the old aeon sense of summoning up demons, or suddenly gifting the practitioner with powers: a judaeo-christian concept to escape reality, turn one’s back on the real world of nature and cosmic struggle and hiding in a fantasy of abstract philosophy. On the other hand, those who have begun to liberate their psyche from the old aeon, live a life in harmony with nature and the precepts of the Order, and constantly seek to transform their life and attain realisation of their potential may be ready to use crystals and other materials for real magick.

That is once a certain state of being is reached (and this takes time, effort, hard-work, training, study, strenuous harmonization and improvement of body-spirit-mind including re-visualisation for a zestful living) then it becomes natural to have in one possession for the dialectic of magick (that is participating in The Great Work) in association with others who have also reached a modicum self evolution – which is an ongoing process and must never be confused with artificial occult title of adept, master etc). These items are usually themselves natural and  usually come via one of several direct.

Via one’s Lodge/Order with which one is allied for self evolution in natural symbiosis of creative dialectic (Hidden Alchemy).

Obtained by oneself in a certain numinous site whilst on Expedition with comrades.

Found or discovered accidentally in one’s life or pathway.

Procured from actual sacred sites (e.g. ancient or Hyperborean).

Really effective magickal items are never bought in a shop, (there are exceptions: e.g. a suitable neck medallion of one’s totem or deity which is then ‘charged’ in a sinister rite with one’s Teacher). For those who live outside the Albo-Eriu lands the only effective way is via 1 above. However before requesting any such item be aware of its significance and be aware of your need/reasons for it. Be also aware that a bond exists between you, it and its origins (i.e.: (a) the sacred site blood/energy, (b) the Order Tradition to which you have dedicated yourself for the Folk, the Aeon and self-evolution). This bond is eternal, and forms part of the matrix for the aeon itself.

There are several artifact materials for [titles redacted] (OJB also has its range of items), e.g. wood, pebble, slate, charcoal. But one of the most significant is: Quartz, available to members of the OJB and FL from the region of one of the sites of The Ten Ringed Path either as rough lumps for altar work or burial/ritual or as small pieces for personal use/neck etc. It is highly charged.

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Sahrut (Part II) : Promethean Thesis IX

Waxing. MA: 8.24

Where does the urge to commit acts of evil come from? The Devil.

Like Satan, whose archetypal scorn is legend, and who spurned satisfaction, perfection, eternity and second place, the nature of evil seeks to forever surpass itself.

Evil is an accumulative insatiable monster – a hideous chilling killer – that always beckons man to take one more step into the creative abominate toward the temptation to revel in the rain of blood. It is an inexorable ancient force that drags those who ally themselves with it, well across the line they drew in the sand for themselves, and seeks to strew them far into the reaches of insane spaces to gibbering darknesses and inbred species of horrific cruelty most have only glimpsed in the white-cold fear that is sometimes possible to experience by phantasms through terrifying dreams. Evil is Older than man, wiser and more cunning – but it is its appetite that defines it.

It is seldom in the name of Evil that acts of evil are performed however and perhaps through the habit of humans to attempt to justify their actions morally – direct attribution to evil is rare. Worship in its name is often secluded to the acolytes of the Prince of Darkness – and the many devils that survived with Him, brought into the New World from the Old World. The Yezidi, Cult of Kali, Witchdoctors, Voodoo, Shamans and Sorcerers, for instance, still occupy pockets on Earth and call directly upon the names of evil, seeking to placate, call down/back, or elicit the powers and ferocity of the Ancient Ones in many guises to hurtle vitriol upon enemies and chattel. Yet it is in the name of mindless and mundane events that Evil is given its most common graces. Seldom called by its true name, evil is the blind idiot god worshipped by proxy through unattributed acts of bovine weakness; through inane or petty jealousies, arguments or excuses, domestic violence, unsatisfied sexual impulses, misunderstandings, envy, anger, pride, love, arrogance and other misgivings of the spirit and flesh. Few homages to Evil are openly proclaimed in these endless acts of worship, yet dark whispers betray and inform.

Accidental Evil:

Accidental evil is the most common of evils – born in the cauldron of mistakes Mothers wish they could reverse – deaths, dishonours and damage they repent causing; sorries they can never give and emotions they can never take back. Their line is clear. They are the cows in life, unblinking servitors whose virtue is their regret in straying from the Dark Shepherd of Hate and following him only short distances. They are controlled in their evil, restrained by their own narcissistic vanity and the prospect of having to face their retribution. They are the quickly angered, the hearts who burn with uncontrolled flames of passion, those who put the heart before the head – the strong bent under their own will by uncharacteristic flashes of intensity that engulf and consume. It is the most common evil because it is the lot of the daily occurrence that comes from great activity and movement in the human as it goes about its life with its fire burning.

Mundane Evil:

Mundane Evil is the second of evils – fields of excruciation ingrained in the static slow-moving anomie of the human race whose love for repetition enables the greatest and most insidious of evils to occur through a lack of empathy with the wider remit, oblivious to the ultimate harvest that comes from the connexions of every action. The mindless paper-pushers, ink- stampers, button-ups, just-doing-my-jobs that cause that sweetest of delights for the Devil – the twisted knife of unnecessary anguishes. The foreclosures, fines, the punishing jargon of legalities, the financial squeezes, the pressures of conformity, the power-trips of bureaucracy, the roundabout chase of keeping everything in place, demanding the impossible. Those who watch on, who deny themselves as pieces on the chess board; these are the souls of mundane evil – for whom fault is a distant dream, and responsibility a pat on the back and some crumbs from the Tabernacle.

Deliberate Evil:

  • (Disclaimer: the section marked at the open and close with a red asterix is highly graphic and repulsive, but is nevertheless necessary to accurately communicate the concept of Deliberate Evil in its unrelenting and sickening avarice.)

Deliberate Evil is the rarest of evils. There are few who seek to perform evil and call it by that name. For most people, evil has no name, and in their wicked light they never consider that they nor their acts could be evil, so cleverly justified and convicted are they – they think, surely any other would act the same in their place? Many commit evil, and many call evil by its name, but there are very few whoopenly drag themselves to Hell in a conscious chariot of iniquity. The book of the dead is full of leaders, kings, dictators, tyrants, villains, scourges, murderers, lovers, whose lives ended the lives of many. But in the name of Peace, Justice, Revenge, Honour, Patriotism, Loyalty, Control, Commerce, Acquisition, Passion, Envy, Anger, Country, State, Nation… For something, anything, other than pure evil.

Why so rare? Even a black heart cannot bend to the total will of Evil. No matter what the particular action, regardless of how concentrated and creative, how unspeakable or horrific – it is never enough to sate the aeonic bloodlust of a creature spawned in the first days of man. A Djinn of Death whose face has been the last vision of trillions of lives in a veritable bottomless chasm of blood and trickery. The prevalence of terms such as Absolute/Pure by which the rightly fearful name the nature of evil is itself testament to the rarity of those who pass the hallowed gates of mans limits and become something else altogether.

Pure/Absolute evil does not exist – only stages of witness to its escalation exist. Pure denotes a measure, a limit, a place where evil is at its absolute – where it stops. It is a moral fantasy. Satan’s Kingdom has no limits, nor does it have mercy. There is no point where evil ceases to seek to surpass itself – it does not persist or exist, it is exist-ing – chang-ing – burn-ing – thriv-ing, eternal and eternally, always seeking to exceed itself.

Violence is a vessel of evil – but only a vessel.

*It is not enough to smash a delicate baby’s skull in with the back end of a claw hammer, its father must watch while he is raped. His teeth must be smashed out of his face in splinters and handfuls of his excrement as he loses his bowels force-fed to him. But that is not enough. His mouth must be torn like a zip-lock bag and his throat invaded with meaty handfuls of his loin-fruits and little undeveloped pulsing insides, his violent vomit suppressed and his eyes pricked with pins as he chokes and gags in voiceless horror and helplessness on the slippery sinuous membranes of his own living creation – his infants remains pushed inside him in a sickening display of cold hatred and inhuman disregard for life, mercy, restraint.

But that is not enough. He should be raped by dozens of men, their fat phalluses pushing his broken baby further down his throat, packing his colon with each thrust until his lifeless ragged body loses its form and cocks lose resistance against bone and broken meat. He must be torn limb from limb, urinated and defecated on, his bones snapped, and scraps of his skin peeled off and trampled on the floor. His family should be told they will be let go, promised safety, allowed to leave and then locked in boxes with their hands and feet cut off – or locked in with his corpse and forced to fuck each other for their freedom. Fires should be set and the screams of the burning should be recorded and made into a song to be played for kindergartens and sent to the deceased’s loved ones. They should be buried alive, or burned alive – freed when their skin is like molten jelly to suffer and suffer more than death. They should be eaten alive, cannibalized, consumed, tortured with ice-cold nails driven through their flesh as they lay dying, gasping – holes pricked in them for fun. But that is not enough*.

Evil demands more, MORE, MORE!And its hunger is what many human perceivers fail to understand. It demands ever more clever deceptions to wreak the maximum amount of suffering, of hurt and betrayal – it demands that the victims first be mislead, tricked, coaxed and relaxed and then horribly brutalized. Evil demands elaborate schemes and set-ups, the inward turn of promises that give rosy glows of love, affection, trust and the downward face first spiral into the turgid faeces of realization that one is in a nightmare.

But that is not enough, the victim must think they have a chance to escape to be free, redeemed – to make their humiliation, agony and unbearable disbelief all the sweeter, the act all the more unthinkably evil. But that is not enough – every drop of salvation must be wrung for evil to reward its servitors, evil must endure – bear witness to the clumsy experimentation, the confident horrors of purposeful knowledgable infliction, blowtorches to blacken, pliers to extract, solvents to drink, rapes to endure, beatings to excite, the breaking of little bones, the sobbing, whimpering, screaming, pleading, begging, crying, the break down of the eyes and the glaze of resignation, the destruction of form under the force of ones relentless assaults – the white-hot orgasm of uncontrolled violence against others.

But that is not enough. Mark parts of the body, with hours, so the victim knows the game. Leave unsolvable tasks, ridiculous requests – revel in the defeat and soul crushing confusion of asking the impossible, of abolishing hope. But that is not enough, because it is Never enough. Mental torture, physical torture, hideous games of depravity. There is always more. To feel no remorse, no mercy, no guilt or anything other than hate. To hide the crimes under thin veneers and lies, to cheapen the deaths, or to deal death in denial, patriotism, circumstances – bury the truth under thick conspiracies, lies and falsehoods, to keep them secret and live two lives, or refuse to acknowledge the suffering and those who suffered at all – to refuse to give the lives taken even a breath of thought, a shred of decency or human subjectivity.

Flesh collapses before it can bear such levels of evil. So the killer stalks another, captures a second, rehearses Hell and horrifies Heaven. The pores of their skin stink of blood, their nails harbour flakes of horror, even as they go to church, donate to charity, smile at you as you drop your children off at church. But that is not enough. It is Never Enough.

Evil goads others who kill one or two or even many – and then it leaves them for another willing to ride the dragon further than those before it. It is a force that wants the World. It sleeps with anyone and it will do anything that results in a bigger phallus to ride. Evil takes small sacrifices even though it doesn’t care about them, doesn’t reward them, doesn’t remember them, because it is Evil. It leads men through blood-soaked darkness clawing at their hands and pulling them into travesties, sins, murders, toward perversions, abominations, toward new depths, unknown depths, where depravity lays at the gates like a mangy dog and new species arcane and sick writhe and pulse beyond in the Never – and yet it will stoop to commit petty meaningless acts in the same breath, because it is evil. The effort of the darkest men, regardless of the strength to hold Evils hand as it plunges them backward into the abyss, is always for naught. Sooner or later All men let go. They let go because they simply cannot follow Evil to those places or because they die in its service – It is too hungry, too unfeeling, too ambitious for men to sate, their lives too short to see more than the head of the Dragon. Those handful of mortal souls who have tried to give the World, who have come very close in making it a gift, have been left in utter dejection on learning Evil now wants the Stars – or experienced the ageless ice of betrayal as it abandons one to ones fate. For every evil doer of wicked, abominate deeds – there is always one to come after who will see the yawning gaps where more could have been done, where opportunities were missed through weakness and a weak hand grip that resisted the drag to Hell.

But evil is forgetful, disdainful, indifferent to Today and living only for the ever after Tomorrow. It cares not what you did for it yesterday even if you piled enough skulls to obscure the sun, it craves only the Moment, the Evil Incarnate, not the Evil Incarnated. It is fickle and bears no qualms in severing its loyalties, revoking its gifts, reneging on its promises – changing the sweet melodies of narcissus. It is always a matter of degree – and of those degrees the evil done unto one man is forgotten where the evil done unto men is a hundredfold, and again where evil perpetrated is a thousandfold, and again where that evil spreads its tendrils into the planes and spans the world as a poisonous spider, its fangs dripping with the anticipation of a godless haze of rabid murder. But when the mortal falls, it forgets. It takes time, but it forgets. It always forgets. And yet, even poised at the gate to complete global annihilation, evil undoes its creations just for the sake of any petty act of itself.

Architectural Evil:

For Evil the deed is not the act, it is rather that the Devil is in the details. Evil relishes mindless killings and suffering, violence and sadism – but evil has more in common with creativity and imagination than many admit. It accepts blunt featureless deaths but it presences itself all the more through Architectural Evil – the planning and plotting of Grand Deceits, delicious insidious deceptions played out over days, months, years, lifetimes or Aeons. The salacious pleasantries of the killing face, the elaborate misdirection of diabolic intent, the satanic schemes that crush hundreds of thousands on every front with excruciating patience, sinister deeds that steal and corrupt minds and flesh, set the virtues to burn, brother against brother, nation to war against nation, the vessel upon himself. It is the dance before the decapitation – the light that announces the Shadow.

Architecture is the consummation of Satan, the cosmic fucking of the stars and of the Self – the equivalent of plotting the overthrow of the Perfect, of setting Heaven and its inhabitants to burn in the heat of War – and the ecstasy of pretense. The immolatory flame of the Darkest Prince rises up within when we unleash the Beast – but how that flame loves to dance before it sets the world to burn! How it loves to parade its finery before leading lambs to the slaughter, to preen its wings and gloat in unrivalled vanity as it unveils its sadistic mastery. To revel in concealing its evil deeds, to relate them, savour them, strum them to the slow screaming of the multitude as it delicately pulls the sweet skin off its wickedness to savour the depths of its arrogance, hatred and disregard for all of life and everything that is precious in it including moderation, temperance, restraint.

Evil cannot be controlled – if it can, it is not Evil one is doing but a simulation of off-day good. Evil balks at nothing. Nothing is sacred, nothing is Safe. It shares the meaning of Chaos but it is not without Order. Its meaning and purpose is to multiply – to destroy every vessel that carries it. Ultimately it has no friends, no loyalties, no master, no law. It does not know restraint. It does not know mercy. And it is all that is not. It is the art of the vain-glorious Blood King – the envelopment of the total soul into the black of Hell and the wicked legacy of the Original Genius – of that primal force typified by Satan – Intelligent Evil.

As for the architecture found in the height of virtue, in the karmic lift of samsara and the light of God – their existence could serve only to amplify and illustrate the extreme sovereignty of the Devil even for the evil man. For the evil man is not Evil, will never BE Evil – and forever, forever, forever, just human.

To presence Evil, everyone on the planet must die.

-R. Fortuna

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Sacred Cows of The Stone

“No guilt shall bind you. No thought restrict! Feast then and enjoy, the ecstasy of this life: But ever remember I am the wind that snatches your soul!”

The utterings of the sacred dark ritual continued to unfold under the watch of the New Moon while it concealed Dabih, as something unexpected awaited to be sacrificed upon the altar. It was customary for a human to be sacrificed every seventeen years as per the specifications of this ancient Anglo ceremony, but this year was different; for what lay, bound by brutal magick, was an avatar of Satanas and Kthunae combined.

“There shall be no severing of heads this night. This stone circle of nine, in this cruel and frosted glade which I now stand; where Lucifer himself fell from what man calls the heavens, is where I will bend time and space to my will.”

The congregation, Guardian, Master and Priestess watched on in confusion. The Mistress spoke again.

“Time is but a helical arrangement. We may only be able to progress linearly in this space, but through acausal spaces, causal time can be chosen: periods, eras, Aeons — they can all be accessed and recalled. All that is required is this…”

The Mistress stroked the six-inch quartz tetrahedron perched upon a stone related to the great pagan Chieftain known as “Arthur”, He who was At-Azoth when dragons ruled the skies.

“Lapsit ex coelis, as the Latin scholars of old are fond of saying. This beautiful piece of quartz —with its angles cut to perfection — has been unfolded into the di-tetrahedron by our vibrations, and thus those of old are primed for entrance into this world.”

Bahomay – as she was known phonetically, esoterically – approached the altar holding two sacrificial daggers in each hand that she had retrieved from the Guardian. She raised them to the sky proclaiming, “I sacrifice one of the Sun and one of Mars to reveal the first hidden pathway of old!”

She brought the blades swiftly down upon the avatar, releasing what looked like red mist with green electricity pulsing through it.

“The Emerald Dragon of antiquity! Aperiatur terra et germinet!”

A large scaled and bestial hand with razor sharp claws broke through the Earth. The green dragon slowly climbed out through the soil and gently coiled its tail around the Mistress of Blood. Athushir roared and spewed black fire. The Mistress pointed to the corpse on the altar and whispered, “feden”. Athushir slithered over to the corpse and began devouring it.

The Mistress clapped her hands and several hooded figures, not entirely human appeared, dragging a hooded and bound hermaphrodite to the altar. By then, Athushir had finished the dyssolving and was waiting calmly by a nearby tree. The assistants secured the next avatar to the already bloody altar. Initially, the hermaphrodite slipped and slid on the remaining viscera, but was quickly bound by the tenacious help.

Bahomay raised her knives again as she stated, “One of Jupiter shall now know the sword!” She plunged the blades into the abdomen of the hermaphrodite and began cutting horizontally. She cut, she sliced, until the hermaphrodite was in two pieces.

“Darkat. Dagon. Thou art free again!”, she screamed with ecstasy as an asymmetric and inexplicable creature broke through the hardened soil, accompanied by a beautiful, naked woman with darkly glowing red eyes and long black hair.

The mistress pointed to the altar once more and quietly issued the same Aeonic command: “Feden”.

Darkat and Dagon made their way over to the altar, travelling in their unique way. Darkat gracefully inserted her hand into the cadaver and started pulling out the insides, taking large handfuls of meat and gorging. Dagon positioned his form over the lower half of the corpse and began peeling it without physical contact.

Bahomay clapped her hands again. Two more figures appeared, carrying another sacrifice. The opfer was positioned upon the altar after Darkat and Dagon had relocated to the tree.

She of Blood raised her blades again.

“Now one of the Moon must be opferred”.

She proceeded through the same motions as before, this time bellowing, “I release you Gaubni, god of old!”, as she concluded the last motion.

A swarm of flies descended from the skies and formed a tall figure. The Mistress pointed to the altar, issuing the now familiar command once again. The swarm covered the corpse, stripping its flesh; then its muscle and organs; followed by its bones. The flies, now content, flew over to the large tree, hovering above it.

Bahomay clapped her hands a final time. After the next avatar was slaughtered, the sound of distant battle — the clashing of wood and steel, filled the ether. A sea of thousands of men and women locked in a cycle of death, rebirth and bloody coitus, eventually arrived at the altar. The horrific cycle continued as the corpse was absorbed into the fray, vanishing among the blood and appendages, the screams and moans. The sea of blood, death and sex, then transmuted into a pale man and woman with missing eyes and gaping mouths perpetually emanating a wail. The creatures strutted over to the tree to join the rest.

Bahomay walked over to the new, yet old legion, raising her arms.

“The Immolation is complete. Go now, my lovelies. Hunt down the rest. Return them to dormancy. For the age of the twenty-one Dark Immortals is over! Thou, the Old Gods, have returned to reclaim thou’s rightful place as the most feared and sinister species of the Nekalah, and what a glorious and bloody return it is!

Hail the Heinous Gods!”, she concluded, with a sinisterly seductive smile. Then, she collapsed.

The congregation, Guardian, Master and Priestess all rushed over to her. Her legs were trembling and her stomach was growing. The Priestess realised what was happening and immediately parted the Mistress’s legs. The Mistress of Blood screamed.

“The Dark Child is coming!”

She pushed and pushed, until finally, the child broke out into the world in a sea of blood. The Priestess caught the child. It was grey and frail. Its skeleton glowed red through its skin, and its irises were shifting between multiple colours, as if the Child was a refraction of all light. The Mistress pushed herself up from the floor and took Rubedo in her arms, carrying it over to the Old Gods awaiting eagerly.

The child was placed into the giant, scaled hand of Athushir, as the Old Gods gathered round to bestow their powers unto the Child.

Several crows began circling and cawing above the Mistress and her sinister family. More crows joined the circle, and more still, until they had descended and completely enshrouded the Mistress and her brothers and sisters. A bright light began to emerge from the torso of the child, the quartz tetrahedron, and the column of crows simultaneously. The lights shot up into the night sky, turning red in the process and combining into the shape of a triangle, which split and expanded into a tetrahedron, and finally a di-tetrahedron.

The light had to have reflected off ‘things’ concealed deep within space, ‘things’ that were now travelling through the light and down the angles; yet, these were not Gods, dark or otherwise. These ‘things’ were much more inexplicable, for the acausal is boundless and ever-breathing darkly.

Meanwhile, the River began to flow into the Red Lake again, backwards through time…

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Touching The Dying Sun

Waning. SA: 0.53 / MA: 0.51

A decaying Aeonic city, dripping with homogenous metallic water, breaks through the forbidden angles of the House. The smell of iron fills the air and dread cascades down into the collective subconscious of the causal.


Before us, sits invisibly, a haggard old king, adorned with robes the colour of dying Sol — The Hermit? Nay, it is not human! This “thing” perceived as a king is a god outside of time. Its nihilistic kingdom of death and life bears the infernal name Karkosa, for it can only be seen in hindsight conjunction with Mars, after one has existed there.


The Rubedo eyes of the rusted king forces the unification of the contradictory and opposing aspects of the self upon meeting its gaze. The double pelican flies above. Its will imparts an understanding that insanity is but sanity coming to terms with the boundlessness of the cosmos, yet the king decrees that sanity and insanity may find horrific confluence, birthing a dancing star from LASHTAL.


Lapsit ex coelis, Lucifer freshly fallen, brings the Spear of Wyrd to His caller(s) for which there are Nine. The Nine become Dragons of three forms: Serpent, Fire and Man. Ascalon pierces the heart of the first, releasing the second to be absorbed by the third; but Man is not yet able to hold Fire and thus it becomes an ember hidden, keeping warm the dormant Serpent until the Becoming.


The Serpent bestows lightning to the mage, and the tongue to speak beyond this world yet for it. For that is the divine Will of Khem; and all whom have the Serpent occluded shall be as His prophets once awakened.


The Serpent bears seven eyes. One for each sphere, which are constellations in space and beating hearts of great inexplicable horrors that walked Terra long ago. The number is 93, greater than 13, but 13 is that which must be avoided to reach 20.


Thus, the Key is Red and that which is Yellow keeps it beyond grasp, for it is the beginning known as the Fool…

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Guest Article: Excerpts from The Holy Shadow of Death by Fenrir

“Nothing will make sense to your American ears, and you will doubt everything that we say and do. But in the end, you will understand.”


– Character Alejandro, Film Sicario

“Death is the only wise advisor that we have. Whenever you feel, as you always do, that everything is going wrong and you’re about to be annihilated, turn to your death and ask if that is so. Your death will tell you that you’re wrong; that nothing really matters outside its touch. Your death will tell you, ‘I haven’t touched you yet.”


– Carlos Castaneda, Journey to Ixtlan


It is necessary for the aspiring practitioner of the craft, as well as for those walking the path of a soldier in the mundane sphere of this life, to actively invoke and experience their own intimate confrontation and embracing of death.The Shadow of Death is a powerful teacher and emissary  of personal destiny, which, once integrated or assimilated into the awareness and process of the rising sorcerer, will facilitate dramatic change both in one’s spirituality and one’s life path as a whole. Death itself has been revered and honored within the form of various deific masks by cultural demographics across the planet, as it is an intimate aspect of life and both perfectly personal and transcendently impersonal. Death represents change, forward movement, confrontation of the unknown, and the discovery of deeper self beyond the visible forms and outward symbols by which the ego may identify. The mysteries of death are profound and constituted of incredible depth, and the initiations, empowerments, and hidden knowledge of the Shadow of Death are among the sorcerer’s or soldier’s most formidable catalysts and empowering (or incapacitating for the profane which approach these mysteries uninvited) experiences and gnosis.

The Shadow of Death is a powerful teacher and emissary  of personal destiny, which, once integrated or assimilated into the awareness and process of the rising sorcerer, will facilitate dramatic change both in one’s spirituality and one’s life path as a whole. Death itself has been revered and honored within the form of various deific masks by cultural demographics across the planet, as it is an intimate aspect of life and both perfectly personal and transcendently impersonal. Death represents change, forward movement, confrontation of the unknown, and the discovery of deeper self beyond the visible forms and outward symbols by which the ego may identify. The mysteries of death are profound and constituted of incredible depth, and the initiations, empowerments, and hidden knowledge of the Shadow of Death are among the sorcerer’s or soldier’s most formidable catalysts and empowering (or incapacitating for the profane which approach these mysteries uninvited) experiences and gnosis.

Within various cultures the archetypal personification of death has assumed many different masks, each specific and keyed to the racial and cultural demographics which project them from the depths of their own unique and specific collective consciousness and collective psychological dynamics.

Every practitioner of the craft must come to face the inexorable confrontation and embracing of death within the context of their own cultural and physiological disposition; that is, the atavistic archetypal manifestation of death within the stream of divinity keyed to one’s own bloodline and ancestral heritage. I have met devout Muslims who were startled when they encountered death within the mask of the God Anubis because of their ancestral heritage tracing back to Egypt. Others I have known encountered death within the mask of the Norse Goddess Hel of the spiritual traditions of their predecessors long forgotten. And one of my own spiritual mentors who was raised Catholic in Canada experienced the figure and current of death within the mask of Baron Samdi, the ruler of the dead and keeper of the doorway between the worlds of life and death in the mysteries of Haitian Vodou, as she was born in Haiti and descended of an unbroken Haitian bloodline. So even if the practitioner pursues a foreign culture’s spiritual current, they will ultimately encounter their own specific ancestral/hereditary deific mask of death – and it is this mask specifically which one is called to walk with. Why the profane feel the need to seek out someone else’s spiritual heritage and deities is anyone’s guess, but regardless the act of trying to be something which one simply is not will never be a means to power and higher illumination, or yield any fruit of gnosis or spiritual ascent, and as a well known Master once stated, “You will know them by their fruits.” Every self- declared and wanna- be Santa Muerte devotee I have ever met who had no ancestral license in this path have always maintained their so- called “altars” for naught. As I was being led deeper into the sorcery of lucid dreaming and achieving feats which defied everything which I had been conditioned to believe about the nature of reality and performing Chris Angel- type feats in the concrete, they were still lighting candles before a lifeless statue and had nothing to show for their lives. No physical fitness, no financial affluence, and certainly not the slightest capacity to perform any actual sorcery of the type I was doing. But one cannot enlighten the profane, and so I continued to walk the path I was called to whilst they played doll house with their empty statues.

During the course of my spiritual journey I came to encounter and integrate death and it’s power in the form of Santa Muerte, a traditional folk saint from my heritage in Mexico. I was exposed to the mysteries of Santa Muerte early in my life, literally decades before profane outsiders of our culture began claiming to venerate her in western society. While I could pen an entire volume concerning the mysteries of Santa Muerte alone, because of the abstract and asymmetrical trajectory of my life path I was also introduced to the Shadow of Death within the masculine personification of South America. As I was training in the Brazilian cult of Quimbanda I inevitably encountered the spirit Exu Morte, who was also venerated in Argentina as Señor La Muerte. The mysteries of Santa Muerte of Mexico are vastly different from the cult of Señor La Muerte in South America, however both are profoundly deep, demanding, and transforming streams of divinity, each with their own unique dynamics and mysteries which emanate from the dark yet beautiful essence of death- the great liberator.

Due to the romanticization of “Narco Culture” by Hollywood and social media in recent times, charlatans and profane outsiders of every shape and color have arisen claiming false association or practice of the veneration of Santa Muerte. Caucasian and African American demographics which do not speak a word of Spanish, much less access the cartel- controlled conflict zones wherein the cult of Santa Muerte centers, declare themselves “devotees” and “children” of the Holy Mother – to the blatant insult and disrespect of the actual practitioners. Santa Muerte is not a textbook grimoire spirit which anyone can simply adopt into their catalogue of personal deities or call upon. She is a powerful and ancient Goddess, and her mysteries are closed to all but those select few which she herself calls to her current of power. One does not choose to walk with Santa Muerte, but rather it is her interest in you which ultimately decides whether or not one may receive the hidden knowledge and the divine empowerments of the sovereign and holy shadow of Death.

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End Dagon

To whom it may concern,


Cross. Zero-cross. Cross.


You are looking in the wrong place. Dunwich is not the answer. The key is in Witch House and the mutterings of unholy geometry.

Thus, return to the 20th century texts before it was posited that Lovecraft didn’t know what he was doing.

You are investing in the wrong actions. It is not theory or ritual, but physical experiments that will take us into the future. Experiments are divisive, radical and elitist.

Thus, the answer is not cooperation with all. It is domination with the few. Burn the cross; cull your name; shed your skin, and be born again. Throw yourself into the physics of acausality and test its limits.


“…and found the Key to the angles of the Nine”


Yours sincerely,
Guardian Uno

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A Vital Revision of Remote Viewing – John Davis

The following is a revised template for Remote Viewing. The previous templates created by the Stanford Research Institute are inadequate due to a lack of measurement, and therefore accounting, for emotional responses during a Remote Viewing session. This is important because the intensity of the physical responses produced by a viewer are just as important to the accuracy of the information being recorded as the images themselves. For example: a strong emotional response by a viewer could indicate that there is a pre-cognitive bias contributing to the analytic overlay (AOL), thereby reducing the accuracy of the data and its validity. On the other hand, a strong emotional response could indicate that the viewer has synced with an unidentified source that is streaming the data directly into the viewer’s brain.

TEMPLATE FOR REMOTE VIEWING CLICK HERE

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Magical Socialism – Reposted

We would like to bring attention to this very interesting article written by a third party.

Magical Socialism Disclaimer: again, unfortunately, decades of fanaticism with the o9a has left me with few exterior examples to draw from to make anecdotal points. So, they must again be mentioned here. Despite trying to do so, either by Ryan or Chloe, it became apparent that the diversity of nexions can never be ruled by […]

Magical Socialism

-Nine Neighbours

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